Richard
Stoltzman's virtuosity, musicianship and sheer personal magnetism have
catapulted him to the highest ranks of international acclaim, making him
one of today's most sought-after concert artists. As a soloist with more
than a hundred orchestras, a captivating recitalist and chamber music
performer, and an innovative jazz artist, Stoltzman has defied categorization,
dazzling critics and audiences alike with his performances of all genres
of music.
Born in Omaha, Nebraska, the son of a jazz-playing railwayman, Richard
Stoltzman spent his early years in San Francisco and then moved to Cincinnati.
His musical education started with his father's saxophone sessions and
informal church concerts. After high school in Cincinnati, Stoltzman entered
Ohio State University as a double-major in music and mathematics.
Stoltzman went on to earn a Master of Music degree at Yale University
while studying with Keith Wilson, and later worked toward a doctoral degree
with Kalmen Opperman at Columbia University. In 1967, he began what was
to be a ten-year association with the Marlboro Music Festival in Vermont.
Marlboro's focus on chamber music put him in direct contact with such
musical luminaries as Rudolf Serkin, Pablo Casals and Marcel Moyse - artists
who were to have a profound effect on the way Stoltzman regarded his music-making.
Through musical relationships established there, he became a founding
member of the chamber music group TASHI in 1973.
Since then, Stoltzman's unique way with the clarinet has earned him an
international reputation as he has opened up possibilities for the instrument
no one could have predicted, including presenting the first clarinet recitals
in the histories of both the Hollywood Bowl and Carnegie Hall. In 1986,
he became the first wind player to be awarded the Avery Fisher Prize,
joining such other eminent recipients as Richard Goode and Yo-Yo Ma. Hailed
for doing for the clarinet what Rampal and Galway have done for the flute,
Stoltzman has appeared as soloist with Levine and the New York Philharmonic,
Dohnànyi and the Orchestra of La Scala, Chailly and the Berlin
Radio Symphony, Leppard and the English Chamber Orchestra, and Eschenbach
and Previn with the Pittsburgh Symphony. As a member of TASHI, he has
premiered works by Takemitsu and Wuorinen with the Boston Symphony and
the Cleveland Orchestra.
His talents as a jazz performer as well as a classical artist, have been
heard the world over. Stoltzman's recital at the Bayreuth Opera House
caused a scandal for the local presenter, who had requested that the program
include jazz - a precedent-shattering event for Wagner's opera house but
one that brought a cheering, capacity audience that demanded five encores.
Stoltzman's interest in new music is reflected in a continuing program
he has established to commission works for the clarinet. In 1990, he was
approached by five major U.S. presenters - in New York, Boston, Washington,
Ann Arbor and Houston, all members of the International Society of Performing
Arts Administrators - to participate in a joint commission. The composer
chosen for "The ISPAA Commission" was Nicholas Thorne, whose
new clarinet sonata Stoltzman premiered in Houston in September 1992.
In August 1993, Stoltzman was featured in "CONCERTO", a six-part
television series featuring host Dudley Moore, conductor Michael Tilson
Thomas and the London Symphony Orchestra. CONCERTO, created by the producers
of the widely-acclaimed 'ORCHESTRA' series featuring Moore and Sir Georg
Solti, was aired over cable television on The Learning Channel and on
England's prestigious Channel Four, and continues to be broadcast worldwide.
The program featuring Stoltzman has been praised by critics and audiences
alike and was the recipient of an Emmy Award in the International Performing
Arts category.
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