When
Boston’s own Barbara Quintiliani debuted at Washington National
Opera in 2002 as Elettra in Mozart’s Idomeneo, it was heralded as
the “start of a significant operatic career.” She returned
to Washington National Opera in 2003 as Donna Anna in Don Giovanni under
the direction of Placido Domingo, and has sung Gulnara in Verdi’s
Il corsaro with Sarasota Opera, the title role in Luisa Miller for Opera
Boston, Liù in Turandot with Opera Madison, and Leonora in Il trovatore
with Austin Lyric Opera, all to critical acclaim. In January, 2006 she
became the first American woman in more than 25 years to win First Prize
in the International Singing Contest Francisco Viñas, and was also
awarded the Competition’s Verdi Prize and Public Prize. Recent engagements
include her debut with Gran Teatro del Liceu as Elettra in Idomeneo, Lucrezia
in Donizetti’s Lucrezia Borgia for Opera Boston, and her debut with
Teatro Real in Madrid.
A graduate of the New England Conservatory of Music, Barbara Quintiliani
is equally at home in the concert and recital repertoire. She has appeared
in concert with the National Symphony Orchestra, the Buffalo Philharmonic
and the Houston Symphony. A frequent recitalist, she is currently on the
roster of the Marilyn Horne Foundation. Under the auspices of the Foundation,
she made her Weill Recital Hall debut as part of The Song Continues…
2004 and recently appeared in recital for the On Wings of Song series
and the Bank of America Celebrity Series. Ms. Quintiliani has also appeared
in recital for Artsong of Williamsburg, the Dame Myra Hess Recital Series,
the Phillips Collection, the Santa Fe Chamber Music Festival, and the
Virginia Waterfront Arts Festival.
In 1999, she was one of the five national grand-prize winners for the
Metropolitan Opera National Council Auditions and first place winner of
the 1999 Marian Anderson International Vocal Arts Competition, and in
2001 was awarded a Sara Tucker Study Grant from the Richard Tucker Foundation.
A native of Quincy, Massachusetts, Barbara Quintiliani studied with Kathleen
Kaun and Anna Gabrieli at the New England Conservatory. The Boston Globe’s
Richard Dyer has described Barbara Quintiliani’s voice as “…drop-dead
gorgeous, with pearly-lustrous timbre, supple cantilena and high notes
that open out into the hall with real glamour.”
Barbara Quintiliani will join the BCO in Handel’s “Ode to
St. Cecilia” on October 13 & 15, 2006.
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