The
Boston Cecilia stands among America's oldest and finest performing arts
organizations. Under the leadership of Donald
Teeters, Cecilia has an established reputation for its period-instrument
performances of baroque music, especially the oratorios of Handel and
works of Bach.
It all began in 1876 when B.J. Lang founded The Cecilia Society. A man
of great force of personality, Lang 's boldness set the tone for what
Cecilia was to become. He had a passion for "firsts," and presented
the Boston premieres of 105 works that have now become standard choral
repertoire, including perennial favorites like Bach's Mass in B Minor
and Brahms' Ein deutches Requiem.
During the first half of 1900s, Cecilia grew into a superior chorus that
took the stage at key points in Boston's musical history. Cecilia was
there at the dedication and Symphony Hall, singing Beethoven's Missa Solemnis
(another Boston first). It was Cecilia that provided the choral portion
of his Ninth Symphony at the dedication of the Tanglewood Shed. The Cecilia
Society, under the direction of Arthur Fiedler, served as the resident
chorus of the Boston Symphony Orchestra for 16 years. And Cecilia was
the choice of Isabella Stewart Gardner to help celebrate the opening of
her now beloved museum. In subsequent years the group had the great privilege
of working under such celebrated conductor/composers as Igor Stravinsky
and Antonin Dvoràk.
In 1968, Donald Teeters took the baton and began his pioneering work in
the American movement toward period-instrument performances. Under his
leadership, Cecilia established its reputation as Boston's foremost performer
and interpreter of Handel, with critically acclaimed productions of 18
of his oratorios. At the same time, Teeters has continued the tradition
of performing new works, presenting world premieres of contemporary composers
including Daniel Pinkham, Robert Sirota, Scott Wheeler, James Woodman,
and others. Teeters and Cecilia have also gained recognition as leaders
in the interpretation and performance of music in the English choral tradition,
as demonstrated by stellar productions of works by Britten, Vaughan Williams
and Elgar.
Today, Cecilia remains among Boston's premier performing entities. Cecilia
has been acknowledged as consistently presenting programs with an uncommon
depth of artistic understanding within a context of excellence and innovation.
The Boston Cecilia will join the BCO in Handel’s “Ode to St.
Cecilia” on October 13 & 15, 2006.
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